İyi
yönetmenlerin/film yapımcılarının örnek aldığı ya da favori gösterdiği filmler
var. Flavorwire bu konu hakkında derlemede bulunmuş ve 10 film yapımcısının
favori gösterdikleri 10’ar filmi sıralamış.
Stanley Kubrick
I
Vitelloni (Fellini, 1953)
Wild
Strawberries (Bergman, 1957)
Citizen
Kane (Welles, 1941)
The
Treasure of the Sierra Madre (Huston, 1948)
City
Lights (Chaplin, 1931)
Henry
V (Olivier, 1944)
La
notte (Antonioni, 1961)
The
Bank Dick (Fields, 1940)
Roxie
Hart (Wellman, 1942)
Hell’s
Angels (Hughes, 1930)
Martin Scorsese
2001:
A Space Odyssey (Kubrick, 1968)
8
½ (Fellini, 1963)
Ashes
and Diamonds (Wadja, 1958)
Citizen
Kane (Welles, 1941)
The
Leopard (Visconti, 1963)
Paisa
(Rossellini, 1946)
The
Red Shoes (Powell/Pressburger, 1948)
The
River (Renoir, 1951)
Salvatore
Giuliano (Rosi, 1962)
The
Searchers (Ford, 1956)
Ugetsu
Monogatari (Kenji, 1953)
Vertigo
(Hitchcock, 1958)
Woody Allen
The
400 Blows (Truffaut, 1959)
8
½ (Fellini, 1963)
Amarcord
(Fellini, 1972)
The
Bicycle Thieves (de Sica, 1948)
Citizen
Kane (Welles, 1941)
The
Discreet Charm of the Bourgeoisie (Bunuel, 1972)
Grand
Illusion (Renoir, 1937)
Paths
of Glory (Kubrick, 1957)
Rashomon
(Kurosawa, 1950)
The
Seventh Seal (Bergman, 1957)
Francis Ford Coppola
The
Apartment (Wilder, 1960)
Ashes
and Diamonds (Wajda, 1958)
The
Bad Sleep Well (Kurosawa, 1960)
The
Best Years of Our Lives (Wyler, 1946)
I
Vitelloni (Fellini, 1953)
The
King of Comedy (Scorsese, 1983)
Raging
Bull (Scorsese, 1980)
Singin’
in the Rain (Donen/Kelley, 19510)
Sunrise
(Murnau, 1927)
Yojimbo
(Kurosawa, 1961)
Quentin Tarantino
Apocalypse
Now (Coppola, 1979)
The
Bad News Bears (Ritchie, 1976)
Carrie
(de Palma, 1976)
Dazed
and Confused (Linklater, 1993)
The
Good, The Bad, and the Ugly (Leone, 1966)
The
Great Escape (Sturges, 1963)
His
Girl Friday (Hawkes, 1939)
Jaws
(Spielberg, 1975)
Pretty
Maids All in a Row (Vadim, 1971)
Rolling
Thunder (Flynn, 1977)
Sorcerer
(Friedkin, 1977)
Taxi
Driver (Scorsese, 1976)
Edgar Wright
2001:
A Space Odyssey (Kubrick, 1968)
An
American Werewolf in London (Landis, 1981)
Carrie
(de Palma, 1976)
Dames
(Enright/Berkeley, 1934)
Don’t
Look Now (Roeg, 1973)
Duck
Soup (McCarey, 1933)
Psycho
(Hitchcock, 1960)
Raising
Arizona (Coen, 1987)
Taxi
Driver (Scorsese, 1976)
The
Wild Bunch (Peckinpah, 1969)
Guillermo del Toro
8
½ (Fellini, 1963)
La
Belle et la Bete (Cocteau, 1946)
Frankenstein
(Whale, 1931)
Freaks
(Browning, 1932)
Goodfellas
(Scorsese, 1990)
Greed
(von Stroheim, 1925)
Los
Olvidados (Bunuel, 1950)
Modern
Times (Chaplin, 1936)
Nosferatu
(Murnau, 1922)
Shadow
of a Doubt (Hitchcock, 1943)
Lena Dunham
Fish
Tank (Arnold, 2009)
Days
of Heaven (Malick, 1978)
Broadcast
News (Brooks, 1987)
Weekend
(Haigh, 2011)
(tie)
La Pointe Coure, Cleo from 5 to 7, Le bonheur, Vagabond (Varda)
(tie)
The Marriage of Maria Braun, Ali: Fear Eats the Soul (Fassbinder)
Picnic
at Hanging Rock (Weir, 1975)
(tie)
Straw Dogs (Peckinpah, 1971), Dead Ringers (Cronenberg, 1988)
Through
a Glass Darkly (Bergman, 1961)
The
War Room (Hegedus/Pennebaker, 1993)
Rian Johnson
8
½ (Fellini, 1963)
Brazil
(Gilliam, 1985)
F
for Fake (Welles, 1975)
Amarcord
(Fellini, 1972)
Fanny
and Alexander (Bergman, 1982)
M.
Hulot’s Holiday (Tati, 1953)
Scenes
from a Marriage (Bergman, 1973)
The
Thin Man (Reed, 1949)
The
Bad Sleep Well (Kurosawa, 1960)
Down
by Law (Jarmusch, 1986)
Christopher Nolan
The
Hit (Frears, 1984)
Twelve
Angry Men (Lumet, 1957)
The
Thin Red Line (Malick, 1998)
The
Testament of Dr. Mabuse (Lang, 1933)
Bad
Timing (Roeg, 1980)
Merry
Christmas Mr. Lawrence (Oshima, 1983)
For
All Mankind (Reinert, 1989)
Koyaanisqatsi
(Reggio, 1983)
Mr.
Arkadin (Welles, 1955)
Greed
(von Stroheim, 1925)
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